The Road Not Taken By Robert Frost - 912 Words

The Right Path and Regret Have you ever chosen what seems to be the perfect path in life, and yet later came to regret it feeling remorse in the thought of what could have been? Profound poet Robert Frost depicts this dilemma in his poem â€Å"The Road Not Taken. The Road Not Taken is a narrative poem consisting of four stanzas of iambic tetrameter and was published in 1916 in the collection Mountain Interval. In this poem, Robert Frost uses title, imagery, and theme to complicate and lead the reader to unknowingly misunderstand the poem. Through careful explication of these elements of Frost’s â€Å"The Road Not Taken,† one may discover the true meaning to the ironic and trivial poem that has endured the many generations of poetry: that no matter what road you travel down in life, the key is to never look back. Initially, Robert Frost’s complication of â€Å"The Road Not Taken† begins with the title of the work itself. Often mistaken for The Road Less Traveled, the title is undoubtedly ironic to the actual facts written in the poem. For example, the title suggests clearly that one road faced has been worn, and the other not traveled. However, the poem clouds the meaning of the title. As he stands carefully stripping the paths of their qualities, he must discern between the first and the latter; the speaker gazes down the second path and announces: Then took the other, as just as fair And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that, theShow MoreRelatedThe Road Not Taken By Robert Frost983 Words   |  4 PagesThe poem â€Å"The Road Not Taken was written by Robert Frost, a four-time Pulitzer Prize winner in poetry, and also a special guest at President John F. Kennedy’s inauguration (Robert Frost Biography). Frost was born on March 26, 1874 in San Francisco, California and he died of complications from prostate surgery on January 29, 1963. Much of Robert’s popularity was gained throughout Europe (An Analysis of Robert Frost’s Poem: The Road Not Taken). Frost became a poetic force, and the unofficial poetRead MoreThe Road Not Taken by Robert Frost764 Words   |  3 PagesWritten by Robert Frost, â€Å"The Road Not Taken† deals with about making choices in life and how those choices affect your whole life. The meter of this poem is iambic tetrameter, for the most part. In most lines, the meter follows the rule with four iambs, which means that there is one unstre ssed syllable followed by a stressed syllable. But the meter is not normal since, in some lines, an anapest, which means there are two unstressed syllables followed by one stressed syllable, is substituted forRead MoreThe Road Not Taken By Robert Frost1173 Words   |  5 PagesRobert Frost, one of America’s well-known poets is highly regarded for his realistic illustrations of rural life and poetry which is still relevant in today’s society. After being honoured on numerous occasions, he became one of America’s most popular public figures. Frosts’ poems reflect his greatness and his life in a variety of ways after he was confronted with such despair and grief after the passing of his father due to tuberculosis at just eleven years of age and his mother who passed awayRead MoreThe Road Not Taken By Robert Frost995 Words   |  4 Pagesthey can only move forward hoping for the best. â€Å"The Road Not Taken†, Robert Frost, 1916. In â€Å"The Roa d Not Taken† a traveler is strolling through the woods and comes across two different roads he could take, and unable to travel both the poet eventually chooses which path to take. The theme conveyed is about making choices. Frost does this through the use of diction, the use of figure of speech, and the use of imagery. To start with, Frost displays the main idea of decision making by the wordsRead MoreThe Road Not Taken By Robert Frost1055 Words   |  5 Pagesago. Either way, if you admit it now or in the wee hours of the night, like most people, you will come across this question at least once in your life. Robert Frost was able to grasp this raw, vulnerable life changing moment in the palm of his hand. Then he beautifully laid it out in the form of words in the narrative poem â€Å"The Road Not Taken†. Frost is able to take you back to a time when you have been faced with a life-changing decision. Then, causing you to ask yourself â€Å"Did I make the right choiceRead MoreThe Road Not Taken By Robert Frost940 Words   |  4 Pagesâ€Å"The Road Not Taken† was written by Robert Frost in 1916, and it was the first poem in the collection Mountain Interval (Shmoop). Even though it was written many years ago, people of all ages still study this enticing poem. Frost wrote about coming to a fork in the woods and examining which path he should take and whether he might ever come back; the speaker believes each path is fine to take, but he takes the less used path (line 6). He wrote about this decision in clear, standard English. â€Å"TheRead MoreThe Road Not Taken By Robert Frost863 Words   |  4 PagesThe Poem, â€Å"The Road Not Taken†, by Robert Frost is a detailed poem about a conflict in a person’s life, dealing with having to take the right path throughout life. The Narrator of this poem is faced with a predicament when he comes across two paths. The choices that he makes in his life, can alter the future for better or worse. This poem describes his attitude and emotion towards his choices as well as, shows examples of themes, mood, and different literary devices. The title of this poem canRead MoreThe Road Not Taken, By Robert Frost968 Words   |  4 PagesPersonal Response 3 Title: The Road Not Taken Text Type: Poem Author: Robert Frost The poem, ‘The Road Not Taken’ by Robert Frost is about the â€Å"roads† and different paths we take in our lives. Frost wrote about a traveler who had to chose between two roads. He had to decide if he wanted to go down the well used or less used path. In the end, he went down the less used path. The theme of decision making and choices is shown in this poem. I think that this is a way of describing the choices we makeRead MoreRoad Not Taken, Robert Frost942 Words   |  4 PagesEnglish 101 Burstrem October 7, 2009 The Road Not Taken Life is full of choices and decisions that could ultimately change the outcome of our lives. In the poem, â€Å"The Road Not Taken† by Robert Frost, a traveler is destined to make that decision. This traveler man has to decide which road to take, one that is frequently traveled, and the one that is not. After contemplating which road to follow, he comes to the decision to take the road less traveled because he doesn’t want to follow inRead MoreThe Road Not Taken By Robert Frost1100 Words   |  5 PagesRobert Frost reflects that poetry â€Å"begins in delight and ends in wisdom†¦.It runs a course of lucky events , and ends in a clarification of life—not necessarily a great clarification, such as sects and cults are found on, but in a momentary stay against confusion† (931). His poem â€Å"The Road Not Taken† is a clarification of life. This paper will analyze and evaluate the formal elements of â€Å"The Road Not Taken† and consid er how these elements work together to fit the author’s purpose and clarification

Sophie Scholl the Final Days - Night. Comparative Essay

It has become quite ordinary to not think about the past. Sure it gets taught and everyone knows it’s there but people never want to look back. Out of shame? Fear? In today’s day, we respect the past but rarely delve into it except for certain days. Elie Wiesel’s book Night is the self-account of Wiesel’s life in the Holocaust. It reflects back to the time through the eyes of a Jewish boy living in the awful conditions. It tells the story from the first few steps that Hitler takes, to when the camps was liberated. Wiesel delivered a powerful message of peace, atonement and human dignity to humanity. The Final Days is a film about resistance in Nazi Germany of one woman in particular. The movie starts off showing the main†¦show more content†¦In elie Wiesel’s Night, a story about the author and his personal connection to the holocaust, the meaning is little muddled up as it is a memoir so it does not need a very clear meaning. Throughout the whole book Elie deals with faith issues and self-problems. There is also a theme of constantly fearing death. Death is always looming over the characters as it is the Holocaust. Although the samr thing is looming throughout the Final Days, it is a lot different. The death that is shown in Night is the death of many and the life of few. In The Final Days, it is the death of few and the life of Nazi Germany. The audience knows she will die, all it takes to know that is a quick google search, but there is still always a slight glimmer of hope which Night does not have. Hope is definitely a theme in The Final Days that is not really shown in Night. One possible reason for that is that Elie gives up fairly quickly. He loses hope and therefore loses faith. In conclusion, these media pieces both show a lot of the same ideas, but they are quite different on a number of standings

War and Peace Free Essays

1310 10/17/12 War War is inevitable when disasters exist, but can sometimes be avoidable when conflicting over cultural matters. Primarily, it is in man’s best interest to provide for himself and his family. Those are his two biggest priorities. We will write a custom essay sample on War and Peace or any similar topic only for you Order Now When any kind of disaster occurs, he must first look after himself and his family before ensuring the safety of others. A civilization works in the same way. Its goal is to carry out the way of life of the people and ensure that it survives. It will fail to reach that goal if the people in the civilization aren’t willing to fight for themselves and what they believe in. If some kind of natural calamity strikes or an outside power that is willing to kill moves in and violently forces its own laws, traditions, and customs, the people must take appropriate actions or face the downfall of their own kind. They must fight to preserve their customs and traditions, or move to another place to live. Now if the intruding invader has any concern for the people, but still desires to enforce their laws upon them, non-violence can be used. Non-violence can only be an alternative to war if the force they are fighting against is non-violent. Otherwise, it will only get trampled upon by a violent, oppressive force. In order for a civilization to survive, it must have an adequate supply of resources for its people. A civilization’s supply of resources can easily be depleted by drought, famine, floods, disease and many other natural disasters. When this happens, the civilization must find a way to solve this problem. If a solution can’t be found while staying in the area, they must find another place to live, but that comes with risks. Going out and searching for a new place is very dangerous and many people may die. Another option the impoverished group of people might take would be to seek help to a nearby but separate establishment. This puts the struggling group in the hands of the healthy one. It is then up to the healthy group to decide if they are going to share their resources or deny it to them. The denial of aide will displease the struggling group and they might have to turn to violence to protect their people. This is because no compromise can be made and both groups are looking out for themselves. Humanity’s natural instinct o survive is the primary reason why violent wars are inevitable. As I have mentioned before, a civilization’s goal is to do anything they can to ensure the prominence and survival of their culture. The Crusades of the middle-ages are a perfect example of acting out on this cultural pride. In 1071, the Catholic Church had previously lost access of the Holy Lands to the Turks. They make a comeback in 1095, at the main series of the Crusades. A lot of conflict and fighting occurred at this time and lasted until 1291. Due to the reason they were fighting, war could have easily been avoidable. The Christians and the Muslims weren’t necessarily fighting for resources, but for the right to own the Holy Lands. The reason both religions wanted it was because both had ties to it. Since they weren’t fighting for resources, they should have been able to share the land without bloodshed. Both should have been able to exist with each other without conflict. Non-violence can be an alternative to war, but only if the people’s lives are a factor in the opposing force’s power. When the British were controlling their colonies in India, they were imposing taxes and trade. The British were using India for its own economic benefits. If the British started killing off the Indians, then there wouldn’t be anybody to pay them their taxes, not to mention it could start a war neither party could afford or want. Even if the British decided to get violent against the resistance, non-violence would have still been effective. This is because the British would use violence to induce fear, but at a cost. Since the British economy is dependent on the population of the people, they would actually damage themselves if they were to kill. When people are faced with the options to either fight or die because of competition over resources, they will chose to fight and war will occur. Some wars and conflicts in the past could have been avoided because both parties were intolerant of each other but wanted the same land. In this case, conflict should never have happened, and compromise should have been the solution. How to cite War and Peace, Essays

The Actor Essay Research Paper Moe MinkaraThe free essay sample

The Actor Essay, Research Paper Moe Minkara The Actor What is moving, who are people which we can call histrions? In fact we are all histrions. Every individual homo being is an histrion in his mundane life. Yet moving can be subdivided into two parts depending on a professional footing or daily one. Within the professional playing there are two major classs, Imitation and the art of going. Imitation, is when an histrion tries to mimic or copy a certain character by speaking the same manner and doing similar physical gestures that the character him self would usually make. Yet copying is non plenty because although the histrion mimes a character, he does non experience like him therefore doing it difficult for the audience to believe what they are seeing. Therefor the 2nd most of import measure is for the histrion to believe and to go the character. For him to make so, he has to carefully analyze the character he wishes to move. He should analyze every individual item, full incarnation, from the manner the histrion moves to the slightest tic he may hold. Sometimes histrions should populate out their parts in existent life, which helps them to acquire used to and be comfy with whom they # 8220 ; are # 8221 ; . One of the most of import factors in moving is Virtuosity, which is in manner or another to stand out in one or more thing such as the usage of 1s voice, or organic structure. Virtuosity brings out the impressiveness in a character or merely in a individual. The 2nd most of import facet is charming that brings under it # 8220 ; presence # 8221 ; , # 8220 ; magnetic attraction # 8221 ; , and # 8220 ; personal appeal # 8221 ; . Magic is felt, and is considered more of a feeling or a vibration that the histrion sends to the audience. In order to go good histrions, one has to understand and be able to utilize # 8221 ; the histrion # 8217 ; s instrument # 8220 ; . The histrion # 8217 ; s instruments can be best described as commanding 1s head and can be subdivided in two chief parts physiological and psychological. The most of import factor under physiological instrument is the voice, which includes how to take a breath, speak, undertaking and command the many powers that one can command with his voice. Furthermore, another chief factor to be considered is the physiological instrument. This instrument is used to command 1s physical relaxation, muscular control, economic system of action, and expressive beat and motion forms. All these assist the character maintain an act or clasp phase throughout an full public presentation. Imagination and surprise are really of import arms or power for an histrion. Helping the histrion to convey world and spontaneousness to the phase. Yet the most of import of all is discipline. For the life of an histrion is non a really easy life to take. They require a batch of work, concentration, and forbearance at the most vague hours of the twenty-four hours. They should be in control of themselves and cognize how to cover with people and most significantly how to cover with his colleagues. Bing a disciplined histrion does non intend bondage, yet he or she is required to cognize how to work strictly to develop his or her physiological and psychological instrument. Furthermore, anothe R of import factor is the actor’s attack. Under this class, there are two traditional methods that histrions normally follow. The first is the external or proficient and the internal or true. The external method is when the histrion acts out physically the function without respect to personal feelings. Believers in such an external attack treat the actor’s public presentation as an parallel of world instead than a direct incarnation of it. Contrary to this, the internal methods focal point on the histrion # 8217 ; s personal premise of his character. These internal methods tend to spread out th psychological dimensions of a public presentation and to assist absorb the world of the character being played. # 8221 ; you must populate the life of your character on phase # 8220 ; . Every histrion has a certain modus operandi to follow composed of three phases, the auditing, dry run, and eventually the public presentation. The first is the manner the histrion gets the function. The 2nd is the manner the histrion learns it. The last is the manner the histrion produces it. In try outing, it is critical for the histrion to experience at easiness with managing the function, naturalness of bringing, physical. Vocal, and emotional suitableness for the function. All these with a small appeal are a must in order for him/her to bring forth the # 8220 ; magic # 8221 ; which is required for the function. In rehearsing, the histrion needs to larn by bosom his function, and has to be aquatinted with the character and seek his/her best to incarnate the character in order to make the ultimate aim of the function. The rehearsal period is a clip of experimentation and find. The public presentation, gratuitous to state is the wages for all that the histrion has been through. Yet it is non a gag and should neer be taken lightly. For a superb dry run can crumple before an audience and vice-versa. An histrion should command his phase fear and allow himself be taken away with his public presentation with no 2nd ideas. Presence is the most of import factor on phase, and for presence to be, the histrion must be really confident of what he is and what he is making on phase. Most significantly a public presentation is non a one manner statement given from the phase to the house, it is a two manner participatory communicating between the histrions and the audience. The histrions portray their motions and laughs, while the audiences portray their feedback with their silence, laughter, hand clapping and attending. It is really indispensable to cognize that an histrions public presentation does non stop with the drama, it goes on until after the drape call and most significantly the histrion should larn from one public presentation and utilize his acquired cognition in his following public presentation. In decision, I can state that moving is a life manner on its ain. As easy as it may look, the life of an histrion is really tough and non ever every bit honoring as one expects it to be. # 8221 ; A lifetime professional calling in moving is the end of many but the achievement of really few # 8220 ; . Bibliography History of theatre theatrical public presentation The histrion # 8217 ; s guide